Originally, I intended on my next unseen blog here to take on the proposed (by some) federal bailout of college loan money. The unfinished piece is sitting on my Jornada, where I wrote it earlier while swilling down cheap beer and smoking Smokin Joe’s, a $20.99 a carton brand of cigarettes.
I thought, hey, take a break. I just finished through a not-so-rough draft of a paper on the geographical aspects that has made New York City the city it is, and I nailed down a good portion for some unread blogging site. Make a pizza, sit back, watch one of them downloaded bootlegs I never get to watch…
Sam Rami will never again be a second-rated director. He has paid his dues and, well even his dues are pretty spectacular, if weighed against such factors as budget allowance, technical shortage, and actors that should have tried out for one more play back there in high school. He did what he had to do and he showed those who needed to be shown that he knows what needs to be known behind the camera.
I love the Webhead. Under the constraints of Hollywood and their bastardization of whatever literary icons they can sink their fangs into (yes, I called comic books literature), Rami did the best he could, better than that other guy – the one who got fat though he himself didn’t do too shabby a job either.
Despite Rami’s slouch in producing works, I will never not see one of his films. That’s what I thought, anyway…
I was hyped that Rami was tickling his fingers in the horror genre again. He’s making good money off the Web-Slinger, so it isn’t as though he is desperate for work but, still, he’s going at it. He wants to get back in it.
Unfortunately, it seems he tripped on his way onto the porch.
Yeah, fine, downloading bootleg copies of films is no way to show appreciation for actors and directors and all the rest who get paid so much more money than I will ever see to put together an hour and a half of film. It’s wrong. Totally wrong. I’m a bastard.
Maybe it was the guilt that let Drag Me to Hell set a week on my hard drive before I attempted watching the movie. Or maybe I am just more conscientious of my time these days…
I only got through the first twenty-seven minutes of the movie. Maybe I will watch the rest sometime but, tonight, when I was hoping for something more, I had to turn off the media player.
Wikipedia gives a good break-down of the plot, so go there if you want story analysis. Gypsy woman lays down a curse, regular folk deal. Not anything breathtakingly new. Hell, Stephen King’s Thinner went the same road, and it had pie.
And I love Justin Long. Excuse me for that, but he has a long history in film ahead of him, granting he stays away from more excursions like this. He has a nice guy yet sarcastic bastard bite on him, which will win out for roles that don’t involve sterioded pecs or unabashed stupidity. And, maybe, in the few minutes I seen of the film, I already guessed his spot was under-rated. Despite his talents, his moments on-screen were limited due to the role he was playing, that of the supportive boyfriend who is a doubter.
Alison Lohman is what did it for me, what forced me to move away from the computer screen. Alison is not a screen virgin – she has quite a number of respectable roles under her belt – but this movie makes her out as some airheaded twat at Crystal Lake. She plays no moment with any real conviction and is as vapid as most paper bags, right before you slap them and make them go bang. Yet she is the film’s focus, the one who is bringing home the suspense, the mental horror we are to receive.
Sorry, can’t buy into it. Hell, Robyn Tunney had more conviction in The Craft. And I know Rami’s heart is in the right place, but the movie doesn’t get past that shallow weakness of Lohman’s performance, bringing us nothing but another entry in the I Know What You Did Last Summer category of underacted and thrill-less horror movies of our generation.
And this is cause for alarm. None of the actors are particularily weak, if you look at their previous work. But here, the shallowness is drowning the audience. Why? (perhaps I oughtta watch the rest of the friggin’ movie to find out?) Is it the lack of focus on character development that is part of the driving force behind psychological horror? Is it the mis-matching of actors to roles that do not allow their talents reign? Is it that we, as a horror audience, are too jaded to have the patience to suspend our disbelief and watch actors underact?
I don’t know. You tell me. The movie did well enough on its first weekend out, but fell dramatically by its second weekend. Rami is onto a fourth Spiderman in 2010; was he just busting something out to fill up some time? The story was co-written by his brother; does that have anything to do with it hitting the screen without much gusto? Is there any reason to look forward to the possibility of an Evil Dead IV, as Rami says he’s hoping to do, if DMtH is any indication of what he might be bringing us?
What opinions are out there? What can you say to lead me to devling deeper into this film? Anything?
